THIS CAUSES AN INTERESTING CLASH OF THE NATURAL IMAGERY AND THE COMPLETELY UN NATURAL FORM. I THINK IT WOULD BE IMPORTANT TO CONSIDER THESE FACTORS WHEN DESIGNING THE PATTERN.
IT FEELS AS THOUGH YOU ARE LOOKING AT THE PICTURES PAINTED BY THE AUTHORS OF THE SCENERY//TREES//FLOWERS//ETC//THROUGH A HOLE CUT IN A BOX - SO THAT WHILST YOUR VISION IS VERY RESTRICTED, WHAT YOU CAN SEE IS THROWN IN TO SHARP CONTRAST AS A RESULT.
THREE EXAMPLES OF THE HAIKUS I HAVE BEEN LOOKING AT ARE:
THE MOMENT TWO BUBBLES
ARE UNITED,THEY BOTH VANISH
A LOTUS BLOOMS
A LIGHTENING FLASH:
BETWEEN THE FOREST TREES
I HAVE SEEN WATER
THROUGH MY FINGER PRINTS
ON MY WINDOW-
CLOUDLESS BLUE SKY
I LOVE THIS COVER FOR A BOOK OF EROTIC HAIKU (!). I THINK THE SHAPES AND COLOURS AND BASIC NESS ARE BEAUTIFUL. I THINK IT HAS PERFECTLY CAPTURED THE BALANCE BETWEEN THE STARK FORM OF THE POEMS AND THE NATURAL FORM OF THE PERSON. . . . >>>>>>>

I LIKE THIS HAIKU BOOK COVER BECAUSE YOU CAN BEGIN TO SEE THE FORMATION OF A REPEAT PATTERN IN THE DRAWINGS. IT IS AN INTERESTING IDEA TO SEE HOW QUICKLY IMAGES CAN BECOME ABSTRACTED PURELY BY THE WAY THEY ARE SPACED AND THE RESULTING NEGATIVE SPACE......................>>>>>> >>>> >>

THIS IS A SIMILAR CONCEPT...>>>>>

THIS IS A PENGUIN CLASSICS BOOK COVER OF TENDER IS THE NIGHT---EVEN THOUGHT IT BORE NO REAL CONNECTION WITH THE STORY I REMEMBER THINKING HOW MUCH I LIKED IT. I LOVE THE FACT THAT YOU THINK IT IS A REFLECTION UNTIL YOU SEE THE FACES DON'''T MIRROR ENTIRELY.. .. .. .. ..>> >> >>

NEGATIVE SPACE . . . .> > >>>

TRADITIONAL JAPANESE PATTERNS > > >(((BOTTOM RIGHT - "THE MOMENT TWO BUBBLES
ARE UNITED,THEY BOTH VANISH")))


POTATO PRINTS - - - - >

JAPANESE MAHJONG SET - I PARTICULARLY LIKE THE SHAPES AT THE TOP OF THE TILES

TRADITIONAL JAPANESE COLOURS > . > . >
